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Part of her identity as a designer is to use industrial materials for something historical and old through the exploration of traditional arts and crafts and their projection to contemporary aesthetics. Melissanthi has taken an interest in exploring different parts of folklore culture around the world and ways to revive them within the fashion context. m Left : Orse Hoodener, St. Nicholas-at-Wade. Right Dick Shufflebottom, Britannia Coco-nut Dancers - Ar.
These unique traditions customs are flourishing and evolving, and I wanted to document these particularly British individuals exactly as they are without further embellishment. I decided that the best way to record this was to concentrate on the individuals rather than the perimeter events, working.
The initial idea of a new 21st century British folklore portrait came from a discussion with my friend Simon Costin, designer and the director of the Museum of British Folklore, who is campaigning to raise funds and awareness for the UKs first museum to exclusively.
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Modern British Folklore Portraits at the Central State Exhibition hall in St Petersburg. Now Then an exhibition of contemporary art and historical objects at Harris Lindsay London 2011 curated by Adrian Dannatt. My work is currently being exhibited as part of Vogue 100: A Century.
I have worked with advertising clients including: Hermes, Lancome, Ralph Lauren, Paul Smith UBS. How did the idea of the book Arcadia Britannica began? Is it an ongoing project? How did you collaborate with Simon Costin? Arcadia Britannica is an ongoing photographic portrait project, of.
Yes absolutely, many of these British rituals have similarities to those in Germany, France, Scandinavia, and many other countries and although mostly, the origins are unclear these events must have important links to one another. But for now I am concentrating on the UK as.
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